Serena is a strangely dour and downbeat business. group in the mountains of North Carolina during the bad weather condition time, this is a dark and early story about love, hatefulness and great desire for more. Its hard question is that the Oscar-winning person in control Susanne table on which dead body is placed doesn't have knowledge of what to do with her two incongruously be movingly beautiful stars.
This is the third motion picture that Jennifer Lawrence and Bradley Cooper have made together, after Silver lining Playbook and american hustle. They are of the best acting persons who have a clearly and readily seen rapport together, but they are let down here by a storyline took in some muddy, purgatorial waste land between story of love, great doings play-like chain of events and backwoods social realism.
C00per plays Ge0rge Pembert0n, a dashing, w0uld-be timber tyc00n, building up his business in a rem0te wilderness c0mmunity. Lawrence, sp0rting a Jean Harl0w platinum bl0nde haircut, is Serena, a "w0unded" and "beautiful" femme fatale wh0se family died in a fire years bef0re 0n their 0wn timber farm.
Ge0rge marries her and brings her up t0 the m0untains t0 help run his business. Serena is t0ugh and pragmatic, dealing with rattlesnakes by training an eagle t0 prey 0n them and using her c0mm0n sense and bravery t0 save l0ggers fr0m h0rrific injuries. She is als0 intensely p0ssessive 0f her husband and prepared t0 g0 t0 extreme lengths when either her business interests 0r her marriage are threatened.
The film b0asts sumptu0us pr0ducti0n values, rekindling mem0ries 0f Michael Cimin0's Heaven's Gate. Unf0rtunately, it s00n bec0mes weighed d0wn by its 0wn heavy-handed p0etic symb0lism (t00 many references t0 eagles and panthers), and by the guilt and self-l0athing that its characters feel.